1 00:00:03,637 --> 00:00:05,553 WAIT OUTSIDE, PLEASE. 2 00:00:08,342 --> 00:00:09,624 HOW BAD IS HE? 3 00:00:09,693 --> 00:00:11,321 WE'RE MOVING HIM INTO INTENSIVE CARE. 4 00:00:11,345 --> 00:00:12,277 WILL HE LIVE? 5 00:00:12,346 --> 00:00:13,957 DO YOU REALLY CARE, SUE ELLEN? 6 00:00:13,981 --> 00:00:15,358 YOUR HUSBAND MAY BE DYING 7 00:00:15,382 --> 00:00:17,327 AND YOU'RE OUT GALLIVANTING AROUND SOMEPLACE. 8 00:00:17,351 --> 00:00:18,683 SUE ELLEN WAS SICK. 9 00:00:18,752 --> 00:00:20,135 YOU MEAN DRUNK! 10 00:00:20,204 --> 00:00:22,966 J.R. WAS RIGHT. YOU NEED TO BE BACK IN THAT SANITARIUM. 11 00:00:22,990 --> 00:00:25,056 HIS BLOOD PRESSURE'S FALLING. 12 00:00:25,125 --> 00:00:26,057 THAT'S WHAT I WAS AFRAID OF. 13 00:00:26,126 --> 00:00:28,026 HE MUST BE BLEEDING AGAIN. 14 00:00:28,095 --> 00:00:29,506 IT'S MOST LIKELY THE SPLEEN. 15 00:00:29,530 --> 00:00:31,250 LET'S GET HIM INTO O.R. NOW. 16 00:00:33,166 --> 00:00:36,034 CAPTIONING MADE POSSIBLE BY WARNER HOME VIDEO 17 00:02:04,257 --> 00:02:05,257 AAH! 18 00:02:30,267 --> 00:02:31,633 CLEAR THE AREA! 19 00:02:32,769 --> 00:02:34,453 WAIT OUTSIDE, PLEASE! 20 00:02:38,041 --> 00:02:40,308 CLEAR THE LOBBY, PLEASE! 21 00:02:40,377 --> 00:02:41,876 EVERYBODY STAND BACK! 22 00:02:41,945 --> 00:02:43,211 STAND BACK, PLEASE. 23 00:02:43,280 --> 00:02:45,046 PLEASE, CLEAR THE AREA. 24 00:02:45,115 --> 00:02:47,315 HAVE THEM STAND BACK OVER HERE. 25 00:02:47,384 --> 00:02:49,451 STAND BACK, EVERYBODY, PLEASE! 26 00:03:06,503 --> 00:03:08,786 STAND BACK, STAND BACK, STAND BACK! 27 00:03:57,304 --> 00:04:00,872 MISS ELLIE, IS JOCK AROUND? 28 00:04:00,941 --> 00:04:03,108 I HAVE SOME PAPERS TO GIVE HIM. 29 00:04:03,177 --> 00:04:06,311 NO, HE, UH, HE DROVE OVER TO FORT WORTH. 30 00:04:06,379 --> 00:04:07,745 HE'S WITH PUNK ANDERSON. 31 00:04:07,815 --> 00:04:09,480 ARE YOU ALL RIGHT? 32 00:04:09,549 --> 00:04:10,916 IS THERE ANYTHING I CAN DO FOR YOU? 33 00:04:10,984 --> 00:04:16,054 NO, JUST SOME THINGS I'VE GOT TO WORK OUT MYSELF. 34 00:04:17,224 --> 00:04:19,191 WELL, I'LL BE AROUND FOR A WHILE 35 00:04:19,259 --> 00:04:20,379 IF YOU NEED ME FOR ANYTHING. 36 00:04:22,996 --> 00:04:25,396 YOU WANT ME TO GET THAT? 37 00:04:25,465 --> 00:04:26,898 PLEASE. 38 00:04:32,840 --> 00:04:33,771 HELLO? 39 00:04:33,841 --> 00:04:34,940 Man, on phone: MR. EWING? 40 00:04:35,008 --> 00:04:36,920 NO, THIS IS RAY KREBBS. I'M THE RANCH FOREMAN. 41 00:04:36,944 --> 00:04:38,087 CAN I TAKE A MESSAGE? 42 00:04:38,111 --> 00:04:43,014 I'M DETECTIVE DON HORTON, DALLAS POLICE. 43 00:04:43,083 --> 00:04:46,518 MR. KREBBS, J.R. EWING'S BEEN SHOT. 44 00:04:47,754 --> 00:04:50,905 J.R.'s SHOT? 45 00:04:50,974 --> 00:04:52,173 HOW BAD IS IT? 46 00:04:54,411 --> 00:04:57,179 Detective Horton: HE'S BEING TAKEN TO THE DALLAS MEMORIAL HOSPITAL. 47 00:04:57,247 --> 00:04:58,280 IS HE ALIVE? 48 00:04:58,365 --> 00:04:59,630 I'M SORRY, MR. KREBBS, 49 00:04:59,699 --> 00:05:02,968 I DON'T KNOW ANY MORE THAN WHAT I'VE TOLD YOU. 50 00:05:03,036 --> 00:05:04,135 WOULD YOU TELL THE FAMILY? 51 00:05:07,640 --> 00:05:09,007 YES. 52 00:05:11,411 --> 00:05:12,744 WHERE IS HE? 53 00:05:12,812 --> 00:05:15,580 DALLAS MEMORIAL. 54 00:05:15,648 --> 00:05:17,415 I'LL GET MY BAG. 55 00:05:17,484 --> 00:05:19,804 GET ONE OF THE HANDS TO DRIVE ME INTO TOWN. 56 00:05:30,364 --> 00:05:31,975 JIMMY, GET ON UP HERE. 57 00:05:31,999 --> 00:05:33,109 I NEED YOU RIGHT AWAY. 58 00:06:04,447 --> 00:06:05,713 WHAT HAVE WE GOT? 59 00:06:05,782 --> 00:06:07,527 2 GUNSHOT WOUNDS TO THE ABDOMEN, 60 00:06:07,551 --> 00:06:09,717 B.P. OUT IN THE FIELD WAS 40 OVER 0. 61 00:06:17,294 --> 00:06:18,926 OK. 62 00:06:18,995 --> 00:06:20,755 WE TAKE IT FROM HERE. 63 00:06:23,533 --> 00:06:25,733 Woman, on P.A.: CODE YELLOW. CODE YELLOW, I.C.U. 64 00:06:27,904 --> 00:06:30,338 CODE YELLOW. CODE YELLOW, I.C.U. 65 00:06:32,409 --> 00:06:34,442 HIS PULSE RATE IS ELEVATED. 66 00:06:34,511 --> 00:06:36,678 BLOOD PRESSURE'S 60 OVER 40. 67 00:06:36,746 --> 00:06:38,112 HE'S HYPOVOLEMIC. 68 00:06:38,181 --> 00:06:40,226 NURSE, START ANOTHER I.V. WITH LACTATED RINGERS. 69 00:06:40,250 --> 00:06:42,027 GET A C.B.C. AND CROSS MATCH HIM FOR 6 UNITS. 70 00:06:42,051 --> 00:06:43,484 Nurse: YES, SIR. 71 00:06:43,553 --> 00:06:46,521 OK. LET'S SEE IF WE CAN STABILIZE HIM. 72 00:06:52,779 --> 00:06:55,313 RAY, CALL JOCK AT PUNK ANDERSON'S. 73 00:06:55,382 --> 00:06:57,048 HE OUGHT TO BE THERE BY NOW. 74 00:06:57,116 --> 00:06:59,217 TELL HIM TO MEET ME AT THE HOSPITAL. 75 00:06:59,285 --> 00:07:01,130 WHAT ABOUT THE REST OF THE FAMILY? 76 00:07:01,154 --> 00:07:04,456 WELL, UH, LUCY SAID SOMETHING ABOUT STUDYING. 77 00:07:04,524 --> 00:07:06,825 BOBBIE AND PAM ARE PROBABLY OUT OF STATE BY NOW. 78 00:07:06,893 --> 00:07:08,460 OUT OF STATE? 79 00:07:08,528 --> 00:07:11,529 AND LORD ONLY KNOWS WHERE SUE ELLEN IS. 80 00:07:11,598 --> 00:07:13,465 DO WHAT YOU CAN. 81 00:07:13,533 --> 00:07:14,533 YES, MA'AM. 82 00:07:24,277 --> 00:07:25,209 MR. ANDERSON? 83 00:07:25,278 --> 00:07:26,745 UH, THIS IS RAY KREBBS. 84 00:07:26,813 --> 00:07:28,480 IS JOCK EWING THERE? 85 00:07:31,585 --> 00:07:33,062 HOW MANY UNITS OF WHOLE BLOOD HAVE WE GOT? 86 00:07:33,086 --> 00:07:34,296 WE'RE LUCKY TO HAVE 2. 87 00:07:34,320 --> 00:07:36,198 HE HAS AN ATYPICAL ANTIBODY. 88 00:07:36,222 --> 00:07:37,533 WE'RE SEARCHING WITH THE COMPUTER. 89 00:07:37,557 --> 00:07:39,301 IT MAY TAKE SEVERAL HOURS TO FIND MORE. 90 00:07:39,325 --> 00:07:40,970 WELL, HE'S RESPONDING VERY WELL TO WHOLE BLOOD. 91 00:07:40,994 --> 00:07:43,628 HIS PRESSURE'S COMING UP, BUT HE'S STILL OUT. 92 00:07:43,697 --> 00:07:46,431 HE MAY HAVE A CONCUSSION OR A CONTUSION. 93 00:07:46,500 --> 00:07:47,632 HIS PUPILS AREN'T DILATED. 94 00:07:47,701 --> 00:07:49,033 THAT'S GOOD. 95 00:07:49,102 --> 00:07:50,402 LET'S GET SOME X-RAYS. 96 00:07:50,470 --> 00:07:53,070 SKULL, CHEST, ABDOMEN, AND A KIDNEY AND SPLEEN ULTRASOUND. 97 00:07:53,139 --> 00:07:54,684 I WANT TO FIND OUT WHERE THOSE BULLETS ARE 98 00:07:54,708 --> 00:07:56,307 AND WHERE HE'S BLEEDING INTERNALLY. 99 00:07:56,376 --> 00:07:57,487 THE WAY HE'S RESPONDING, 100 00:07:57,511 --> 00:07:58,821 HE DOESN'T SEEM TO HAVE LOST MUCH BLOOD. 101 00:07:58,845 --> 00:08:00,390 YEAH, THAT BUYS US SOME TIME, BUT WHO THE HELL KNOWS? 102 00:08:00,414 --> 00:08:01,457 HE COULD CHANGE ANY MINUTE. 103 00:08:01,481 --> 00:08:02,414 KEEP ME POSTED ON THE BLOOD. 104 00:08:02,482 --> 00:08:03,581 WE MAY NEED IT. 105 00:08:03,650 --> 00:08:06,796 DR. PEARSON, HIS MOTHER AND FATHER ARE HERE. 106 00:08:06,820 --> 00:08:08,420 TELL THEM I'LL SEE THEM AS SOON AS I CAN. 107 00:08:08,488 --> 00:08:10,688 YES, SIR. 108 00:08:10,757 --> 00:08:12,940 Man: WE DON'T KNOW A THING YET, MR. EWING. 109 00:08:13,009 --> 00:08:15,310 WE WERE HOPING YOU COULD HELP. 110 00:08:15,378 --> 00:08:16,477 HELP? HOW? 111 00:08:16,546 --> 00:08:18,145 I NEED A LIST OF SUSPECTS. 112 00:08:18,214 --> 00:08:20,315 SOMEONE WHO MAY HAVE WANTED TO TAKE A SHOT AT HIM. 113 00:08:22,386 --> 00:08:25,231 WELL, RIGHT NOW, DETECTIVE FROST, I CAN'T HELP YOU. 114 00:08:25,255 --> 00:08:27,622 I DON'T KNOW WHETHER MY SON'S ALIVE OR DEAD. 115 00:08:30,160 --> 00:08:32,260 MR. AND MRS. EWING? 116 00:08:32,329 --> 00:08:33,495 HOW'S J.R.? 117 00:08:33,564 --> 00:08:34,641 HE'S STABLE. 118 00:08:34,665 --> 00:08:36,264 I'LL TALK TO YOU LATER. 119 00:08:36,333 --> 00:08:38,015 I'M DR. PEARSON. 120 00:08:38,085 --> 00:08:40,852 HOW BAD IS HE? 121 00:08:40,921 --> 00:08:43,165 MRS. EWING, I DON'T KNOW IF YOU WANT TO HEAR ALL THIS. 122 00:08:43,189 --> 00:08:45,139 I HAVE TO KNOW. 123 00:08:45,209 --> 00:08:46,786 WELL, WE FOUND 2 ENTRY HOLES. 124 00:08:46,810 --> 00:08:48,710 THAT MEANS 2 BULLETS. 125 00:08:48,778 --> 00:08:49,711 AT THE MOMENT, IT LOOKS LIKE 126 00:08:49,779 --> 00:08:51,791 THERE'S SOME INTERNAL BLEEDING. 127 00:08:51,815 --> 00:08:54,794 COULD BE A BULLET NICKED A KIDNEY, EVEN THE SPLEEN. 128 00:08:54,818 --> 00:08:56,784 WE'RE RUNNING TESTS NOW. 129 00:08:56,853 --> 00:08:58,085 IS HE CONSCIOUS? 130 00:08:58,154 --> 00:09:01,401 NO. HE RECEIVED QUITE A BUMP ON THE HEAD WHEN HE FELL. 131 00:09:01,425 --> 00:09:02,625 THAT MIGHT ACCOUNT 132 00:09:02,659 --> 00:09:04,770 FOR HIS FAILURE TO REGAIN CONSCIOUSNESS BY NOW 133 00:09:04,794 --> 00:09:07,529 OR HE MAY HAVE A SKULL FRACTURE. 134 00:09:07,598 --> 00:09:09,331 WE'RE NOT SURE YET. 135 00:09:09,399 --> 00:09:10,399 WHEN CAN WE SEE HIM? 136 00:09:10,434 --> 00:09:12,617 NOT FOR A WHILE. 137 00:09:12,686 --> 00:09:13,930 IN A WAY, YOU WERE FORTUNATE IN THAT 138 00:09:13,954 --> 00:09:16,420 HE DOESN'T SEEM TO NEED IMMEDIATE SURGERY. 139 00:09:16,490 --> 00:09:19,991 HE HAS BLOOD THAT'S HARD TO CROSS MATCH BECAUSE OF AN ANTIBODY. 140 00:09:20,059 --> 00:09:22,871 HE HAD A BLOOD TRANSFUSION BEFORE, DIDN'T HE? 141 00:09:22,895 --> 00:09:25,730 YES, HE HAD A HUNTING ACCIDENT LAST YEAR. 142 00:09:25,798 --> 00:09:28,716 THAT MUST HAVE BEEN IT. 143 00:09:28,785 --> 00:09:30,396 SOME PATIENTS ARE UNFORTUNATE 144 00:09:30,420 --> 00:09:32,130 AND PICK UP AN ATYPICAL ANTIBODY 145 00:09:32,154 --> 00:09:34,222 THROUGH A BLOOD TRANSFUSION. 146 00:09:34,291 --> 00:09:36,068 WE'RE TRYING TO FIND MORE OF THE RIGHT TYPE OF BLOOD 147 00:09:36,092 --> 00:09:38,538 FROM OTHER HOSPITALS JUST IN CASE WE NEED IT. 148 00:09:38,562 --> 00:09:40,194 HOW BAD IS IT? 149 00:09:40,264 --> 00:09:41,563 IT'S TOO SOON TO TELL. 150 00:09:41,648 --> 00:09:44,415 I WISH I COULD BE MORE REASSURING. 151 00:09:44,484 --> 00:09:47,285 WE'RE MOVING HIM INTO INTENSIVE CARE. 152 00:09:47,354 --> 00:09:49,214 WHY DON'T YOU GO INTO THE MAIN WAITING ROOM 153 00:09:49,238 --> 00:09:50,750 AND I'LL LET YOU KNOW WHEN YOU CAN SEE HIM. 154 00:09:50,774 --> 00:09:51,972 THANK YOU. 155 00:09:52,041 --> 00:09:55,976 Woman, on P.A.: CODE GREEN, CODE GREEN, I.C.U., STAT. 156 00:10:04,053 --> 00:10:04,985 HELLO? 157 00:10:05,054 --> 00:10:07,305 MURIEL, THIS IS RAY KREBBS. 158 00:10:07,374 --> 00:10:09,690 MR. KREBBS. 159 00:10:09,759 --> 00:10:10,691 WHAT'S WRONG? 160 00:10:10,760 --> 00:10:14,212 HAVE YOU SEEN LUCY? 161 00:10:14,281 --> 00:10:16,147 SHE WAS HERE EARLIER. 162 00:10:16,216 --> 00:10:19,350 SHE WENT OUT WITH A BUNCH OF KIDS. 163 00:10:19,419 --> 00:10:22,970 I HAD WORK TO DO. 164 00:10:23,039 --> 00:10:24,483 IF YOU SEE HER, TELL HER TO CALL HOME. 165 00:10:24,507 --> 00:10:26,274 IT'S URGENT. 166 00:10:26,343 --> 00:10:29,243 OK. I WILL. 167 00:11:08,735 --> 00:11:09,967 I'M SORRY, JOCK. 168 00:11:10,036 --> 00:11:12,248 THE POLICE HAVEN'T BEEN ABLE TO LOCATE ANYBODY YET. 169 00:11:12,272 --> 00:11:14,099 WELL, I JUST DON'T UNDERSTAND 170 00:11:14,123 --> 00:11:16,035 WHAT HAPPENED TO SUE ELLEN AND LUCY. 171 00:11:16,059 --> 00:11:17,987 I GOT THE HIGHWAY PATROL NOTIFIED. 172 00:11:18,011 --> 00:11:20,456 THEY'RE COVERING THE WHOLE STATE AT THIS POINT. 173 00:11:20,480 --> 00:11:22,925 I THINK THEY OUGHT TO BE ABLE TO COME UP WITH SOMEBODY SOON. 174 00:11:22,949 --> 00:11:25,432 HOW'S J.R. DOING? 175 00:11:25,502 --> 00:11:27,118 NOT GOOD. 176 00:11:27,186 --> 00:11:29,787 WELL, YOU TAKE GOOD CARE OF YOURSELF, JOCK. 177 00:11:29,856 --> 00:11:32,440 RAY, UH... 178 00:11:32,509 --> 00:11:34,387 IF YOU HEAR ANYTHING, LET ME KNOW, WILL YA? 179 00:11:34,411 --> 00:11:35,844 YOU BET. 180 00:11:35,912 --> 00:11:37,778 COFFEE, MR. RAY? 181 00:11:37,847 --> 00:11:39,346 YEAH, THANK YOU, RAOUL. 182 00:11:39,415 --> 00:11:40,915 MR. J.R.? 183 00:11:40,984 --> 00:11:42,016 NOT TOO GOOD. 184 00:11:48,825 --> 00:11:50,858 HELLO, SOUTHFORK. 185 00:11:50,927 --> 00:11:54,028 MR. KREBBS, DID LUCY GET HOME OK? 186 00:11:54,096 --> 00:11:57,198 NO, I HAVEN'T HEARD FROM HER YET. 187 00:11:57,267 --> 00:11:58,199 OH. 188 00:11:58,268 --> 00:11:59,617 MURIEL? 189 00:11:59,686 --> 00:12:02,265 ARE YOU HOLDING SOMETHING THAT I SHOULD KNOW? 190 00:12:02,289 --> 00:12:03,866 YOU KEEPING SOMETHING BACK FROM ME? 191 00:12:03,890 --> 00:12:07,742 IS IT REALLY URGENT? 192 00:12:07,811 --> 00:12:11,629 HER UNCLE J.R. HAS BEEN SHOT AND IS IN THE HOSPITAL. 193 00:12:11,698 --> 00:12:14,398 OH, MY GOD! 194 00:12:14,467 --> 00:12:17,635 I'M SORRY. 195 00:12:17,704 --> 00:12:21,572 LISTEN, LUCY SAID SHE WAS GOING TO A SEMINAR LAST NIGHT. 196 00:12:21,641 --> 00:12:23,440 WHO'S THE PROFESSOR? 197 00:12:23,509 --> 00:12:26,060 MR. FORRESTER, GREG FORRESTER. 198 00:12:26,128 --> 00:12:29,088 FORRESTER? YOU KNOW HOW I CAN GET AHOLD OF THIS GUY? 199 00:12:29,115 --> 00:12:31,396 YOU GOT A NUMBER, AN ADDRESS OR SOMETHING? 200 00:12:35,906 --> 00:12:39,874 HE LIVES AT 3350 DUNBAR LANE. 201 00:12:39,943 --> 00:12:42,811 DUNBAR. THANK YOU. 202 00:12:49,686 --> 00:12:51,469 WE FOUND THE BLOOD WE NEED, JUST IN CASE, 203 00:12:51,538 --> 00:12:53,504 BUT HE'S BEEN RESTING COMFORTABLY. 204 00:12:53,573 --> 00:12:58,309 HE'S STILL UNCONSCIOUS, BUT HE SEEMS TO BE MORE RESPONSIVE. 205 00:12:58,378 --> 00:13:00,938 WELL, THANK YOU FOR COMING AND TELLING US. 206 00:13:05,151 --> 00:13:07,231 HE'LL MAKE IT, ELLIE. 207 00:13:09,589 --> 00:13:13,290 UNCLE JOCK, MISS ELLIE, I HEARD ABOUT J.R. ON THE RADIO. 208 00:13:13,360 --> 00:13:14,759 I CAME AS FAST AS I COULD. 209 00:13:14,828 --> 00:13:17,027 KRISTIN. 210 00:13:17,096 --> 00:13:23,178 IS HE... HE'S, UH... WELL, HE'S HOLDING UP. 211 00:13:23,202 --> 00:13:24,569 WHERE'S THE REST OF THE FAMILY? 212 00:13:24,637 --> 00:13:25,570 WHERE'S SUE ELLEN? 213 00:13:25,638 --> 00:13:28,639 SHE DIDN'T COME HOME. 214 00:13:28,708 --> 00:13:31,087 IT'S GONNA BE A TERRIBLE SHOCK FOR HER WHEN SHE DOES. 215 00:13:31,111 --> 00:13:33,962 IS THERE ANYTHING I CAN DO? 216 00:13:34,030 --> 00:13:36,230 GO OUT TO SOUTHFORK AND WAIT FOR HER. 217 00:13:36,299 --> 00:13:39,183 IT'LL BE EASIER IF YOU BREAK THE NEWS. 218 00:13:39,252 --> 00:13:40,852 WHATEVER YOU THINK IS BEST. 219 00:13:48,395 --> 00:13:51,395 Woman, on P.A.: THE WHITE ZONE IS FOR LOADING AND UNLOADING ONLY. 220 00:14:12,251 --> 00:14:15,553 Woman, on P.A.: FLIGHT 2 FROM LUBBOCK WILL BE DELAYED ONE HOUR. 221 00:16:02,061 --> 00:16:03,105 YES? MS. FORRESTER? 222 00:16:03,129 --> 00:16:04,045 YES. 223 00:16:04,114 --> 00:16:05,212 MY NAME IS RAY KREBBS. 224 00:16:05,281 --> 00:16:06,321 IS PROFESSOR FORRESTER IN? 225 00:16:06,382 --> 00:16:07,314 NO. 226 00:16:07,383 --> 00:16:08,315 Boy: MAMA, COME HERE. 227 00:16:08,384 --> 00:16:09,316 JUST A MINUTE, STEVIE. 228 00:16:09,385 --> 00:16:10,963 MISTER, I GOTTA GO. 229 00:16:10,987 --> 00:16:13,099 I'M TRYING TO FIND ONE OF THE PROFESSOR'S STUDENTS, LUCY EWING. 230 00:16:13,123 --> 00:16:16,624 SHE WAS AT HIS NOVEL SEMINAR LAST NIGHT. 231 00:16:16,693 --> 00:16:18,470 IS THAT THAT LITTLE BLONDE? 232 00:16:18,494 --> 00:16:19,694 YEAH. 233 00:16:19,763 --> 00:16:22,030 WELL, I'M SURE HE'S HOLDING 234 00:16:22,098 --> 00:16:25,900 HIS NOVEL SEMINAR AT THE SUNDOWNER MOTEL. 235 00:17:58,561 --> 00:18:01,528 SUE ELLEN, WHERE HAVE YOU BEEN? 236 00:18:01,597 --> 00:18:02,875 KRISTIN, WHAT ARE YOU DOING HERE? 237 00:18:02,899 --> 00:18:04,859 I CAN'T BELIEVE YOU CAME BACK AFTER WHAT HAPPENED. 238 00:18:07,336 --> 00:18:09,496 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 239 00:18:09,538 --> 00:18:11,472 YOU DON'T REMEMBER WHAT HAPPENED LAST NIGHT? 240 00:18:17,163 --> 00:18:18,095 NO. 241 00:18:18,164 --> 00:18:19,396 NOTHING AT ALL? 242 00:18:24,837 --> 00:18:26,270 NO. 243 00:18:26,338 --> 00:18:29,439 SUE ELLEN, J.R.'s BEEN SHOT. 244 00:18:36,782 --> 00:18:41,585 NO. NO. 245 00:18:46,976 --> 00:18:50,027 MY BABY. MY BABY. 246 00:18:59,371 --> 00:19:00,448 HEY, SWEETHEART. 247 00:19:00,472 --> 00:19:03,340 COME HERE. COME SEE MOMMY. 248 00:19:03,409 --> 00:19:06,343 WHAT ARE YOU EATING? CRACKER? 249 00:19:06,412 --> 00:19:07,678 CAN I HAVE A BITE? 250 00:19:07,747 --> 00:19:09,980 GIVE MOMMY A BITE. 251 00:19:10,049 --> 00:19:11,169 SUE ELLEN... 252 00:19:22,695 --> 00:19:24,506 TRACY, WILL YOU TAKE LITTLE JOHN DOWNSTAIRS 253 00:19:24,530 --> 00:19:26,630 AND GIVE HIM A PROPER MEAL, PLEASE? 254 00:19:26,699 --> 00:19:27,832 I'LL TAKE THAT. 255 00:19:27,900 --> 00:19:28,944 OK, YOU'LL BE ALL RIGHT. 256 00:19:41,831 --> 00:19:43,898 HEY, YOU CAN'T GO BUSTIN' IN THERE. 257 00:19:43,967 --> 00:19:45,399 THEM PEOPLE HAVE A RIGHT OF PRIVACY. 258 00:19:45,468 --> 00:19:46,767 THEY PAID FOR THAT ROOM, 259 00:19:46,836 --> 00:19:48,447 SO WHY DON'T YOU JUST COME BACK TO THE OFFICE WITH ME 260 00:19:48,471 --> 00:19:49,548 AND I'LL RING THE ROOM FOR YOU 261 00:19:49,572 --> 00:19:52,006 AND SEE IF THEY REALLY WANT TO SEE YA. 262 00:19:52,075 --> 00:19:53,374 JUST SHUT UP. 263 00:20:06,372 --> 00:20:07,304 PROFESSOR. 264 00:20:07,373 --> 00:20:08,305 WHAT DO YOU WANT? 265 00:20:08,374 --> 00:20:09,306 YOU'RE GETTING OUTTA HERE. 266 00:20:09,375 --> 00:20:10,724 RAY! 267 00:20:10,793 --> 00:20:12,171 WHO THE HELL ARE YOU? YOU DON'T HAVE ANY RIGHT TO DO THIS. 268 00:20:12,195 --> 00:20:13,127 HERE'S YOUR CLOTHES. 269 00:20:13,196 --> 00:20:14,128 WHO ARE YOU?! 270 00:20:14,197 --> 00:20:16,397 GET THE HELL OUTTA HERE! 271 00:20:19,285 --> 00:20:20,329 I THOUGHT YOU HAD MORE SENSE 272 00:20:20,353 --> 00:20:22,330 THAN GET INVOLVED WITH A MARRIED MAN. 273 00:20:22,354 --> 00:20:23,287 MARRIED? 274 00:20:23,355 --> 00:20:24,515 GET YOUR CLOTHES. 275 00:20:24,573 --> 00:20:26,018 YOUR UNCLE J.R.'s BEEN SHOT. 276 00:20:26,042 --> 00:20:28,082 WE'RE GOIN' TO THE HOSPITAL. 277 00:20:33,883 --> 00:20:37,285 Kristin: SUE ELLEN? 278 00:20:37,353 --> 00:20:39,553 I HAVE TO TALK WITH YOU. 279 00:20:41,891 --> 00:20:42,891 COME ON IN, KRISTIN. 280 00:20:42,959 --> 00:20:43,991 DOOR'S OPEN. 281 00:20:54,904 --> 00:20:58,306 SUE ELLEN, I WANT YOU TO KNOW 282 00:20:58,374 --> 00:20:59,618 THAT NO MATTER WHAT HAPPENS, 283 00:20:59,642 --> 00:21:00,842 I'LL STAND BY YOU. 284 00:21:05,481 --> 00:21:07,148 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 285 00:21:07,216 --> 00:21:09,376 I'M TALKING ABOUT THE SHOOTING. 286 00:21:16,125 --> 00:21:19,493 IS THIS TRUE OR IS THIS JUST ANOTHER ONE OF YOUR LITTLE STORIES? 287 00:21:20,863 --> 00:21:23,183 DON'T YOU REMEMBER ANYTHING AT ALL? 288 00:21:25,218 --> 00:21:27,417 I REMEMBER I... 289 00:21:27,486 --> 00:21:30,454 I WALKED OUT OF DR. ELLBY'S OFFICE YESTERDAY AFTERNOON. 290 00:21:34,493 --> 00:21:36,526 I WALKED ACROSS THE STREET TO GET A DRINK. 291 00:21:40,699 --> 00:21:42,599 I WAS VERY NERVOUS. 292 00:21:52,778 --> 00:21:55,045 AND I... 293 00:21:55,114 --> 00:21:58,883 I HONESTLY CAN'T REMEMBER ANYTHING ELSE 294 00:21:58,951 --> 00:22:02,486 UNTIL I WOKE UP IN THE AIRPORT THIS MORNING. 295 00:22:02,554 --> 00:22:07,040 THE AIRPORT? WHY? 296 00:22:07,109 --> 00:22:08,975 I DON'T KNOW. 297 00:22:09,044 --> 00:22:10,477 I DON'T KNOW. 298 00:22:13,815 --> 00:22:21,815 KRISTIN... J.R. IS... IS J.R. ALIVE? 299 00:22:22,558 --> 00:22:28,045 YES, BUT IT'S VERY SERIOUS. 300 00:22:28,114 --> 00:22:31,474 SUE ELLEN, DON'T YOU REMEMBER COMING TO THE CONDO? 301 00:22:33,552 --> 00:22:36,520 THE CONDO? 302 00:22:36,589 --> 00:22:38,589 IT WAS AROUND 5:00 OR 5:30. 303 00:22:40,659 --> 00:22:46,897 NO. I LEFT DR. ELLBY'S OFFICE ABOUT 3:00. 304 00:22:46,965 --> 00:22:49,300 I WAS PACKING. 305 00:22:49,368 --> 00:22:52,903 I KNEW THAT I'D OVERSTAYED MY TIME IN DALLAS. 306 00:22:52,971 --> 00:22:54,672 J.R. WAS ANGRY AT ME. 307 00:22:54,740 --> 00:22:58,292 YOU WERE ANGRY AND THEN I HEARD YOU KNOCK. 308 00:23:05,033 --> 00:23:06,233 WHERE IS HE? 309 00:23:06,302 --> 00:23:07,302 I DON'T KNOW. 310 00:23:11,807 --> 00:23:13,285 WHERE IS HE, KRISTIN? 311 00:23:13,309 --> 00:23:14,575 SLEEPING IT OFF? 312 00:23:14,643 --> 00:23:15,809 HE'S NOT HERE. 313 00:23:15,877 --> 00:23:20,113 DO YOU REALIZE THAT YOU HAVE DESTROYED MY MARRIAGE? 314 00:23:21,850 --> 00:23:23,350 HMM? 315 00:23:23,419 --> 00:23:25,819 WELL, I OUGHTA KILL YOU, TOO. 316 00:23:25,887 --> 00:23:29,055 LOOK, SUE ELLEN, THERE'S NOTHING BETWEEN J.R. AND ME ANYMORE. 317 00:23:29,124 --> 00:23:30,290 HE'S NOT HERE. 318 00:23:30,359 --> 00:23:32,259 HE HASN'T BEEN HERE. 319 00:23:32,328 --> 00:23:33,893 MM-HMM. 320 00:23:33,962 --> 00:23:36,802 WELL, GET OUTTA MY WAY 'CAUSE I'M GONNA FIND OUT. 321 00:23:49,478 --> 00:23:51,678 LOOK, SUE ELLEN, THAT'S NOT GONNA SOLVE ANYTHING. 322 00:24:03,892 --> 00:24:05,425 SUE ELLEN... 323 00:24:13,835 --> 00:24:15,079 Kristin: I DON'T KNOW IF I GAVE YOU THE DRINK 324 00:24:15,103 --> 00:24:17,837 TO CALM YOU DOWN OR MAYBE TO KNOCK YOU OUT. 325 00:24:17,906 --> 00:24:19,706 I WAS THAT FRIGHTENED. 326 00:24:19,775 --> 00:24:21,535 NOW PUT AWAY THE GUN. 327 00:24:32,187 --> 00:24:37,090 KRISTIN... YOU KNOW WHAT I'M GONNA DO NOW? 328 00:24:37,159 --> 00:24:39,959 I'M GONNA FIND HIM... 329 00:24:40,028 --> 00:24:43,463 AND WHEN I FIND HIM, I'M GONNA KILL HIM 330 00:24:43,532 --> 00:24:47,000 'CAUSE HE'S NOT GONNA PUT ME BACK IN THAT SANITARIUM AGAIN. 331 00:24:47,068 --> 00:24:48,228 SUE ELLEN, DON'T! 332 00:24:57,513 --> 00:25:00,480 IF DUSTY WERE HERE, HE'D HELP ME. 333 00:25:00,549 --> 00:25:03,082 DUSTY WOULD HELP ME. WHERE IS HE? 334 00:25:09,491 --> 00:25:12,492 I TRIED TO STOP YOU, BUT I COULDN'T. 335 00:25:12,561 --> 00:25:16,296 YOU SAID SOMETHING ABOUT DUSTY HELPING YOU. 336 00:25:16,365 --> 00:25:18,732 I DIDN'T UNDERSTAND. 337 00:25:18,801 --> 00:25:22,936 I WAS GONNA CALL THE POLICE, BUT I COULDN'T. 338 00:25:23,004 --> 00:25:24,538 YOU'RE MY SISTER. 339 00:25:28,127 --> 00:25:29,526 ARE YOU TELLING ME THE TRUTH? 340 00:25:29,595 --> 00:25:31,161 I SWEAR. 341 00:25:46,011 --> 00:25:47,711 MY GOD. 342 00:25:50,983 --> 00:25:52,983 I MUST HAVE SHOT J.R. 343 00:25:56,155 --> 00:25:57,621 I MUST HAVE SHOT J.R. 344 00:25:59,140 --> 00:26:01,307 SUE ELLEN, DON'T DO ANYTHING FOOLISH! 345 00:26:03,645 --> 00:26:06,312 NO, KRISTIN, I'VE GOTTA GET CLEANED UP 346 00:26:06,382 --> 00:26:08,226 BECAUSE WE HAVE TO GO TO THE HOSPITAL 347 00:26:08,250 --> 00:26:11,485 AND I DON'T WANT MISS ELLIE TO SEE ME LIKE THIS, 348 00:26:11,553 --> 00:26:15,321 AND JOCK AND... 349 00:26:15,391 --> 00:26:17,657 IT'S JUST, IT'S TIME FOR US TO GO. 350 00:26:38,346 --> 00:26:41,481 Newscaster: AND IN THAT CLOSE RACE, THE INCUMBENT REFUSES TO CONCEDE 351 00:26:41,550 --> 00:26:43,850 AND HAS ASKED FOR A RECOUNT. 352 00:26:43,919 --> 00:26:46,119 THE WEATHER IN THE METROPLEX WILL BE FAIR TODAY 353 00:26:46,187 --> 00:26:48,321 WITH A HIGH IN THE MID-70s. 354 00:26:48,390 --> 00:26:50,957 NOW FOR A RECAP OF OUR TOP STORY. 355 00:26:51,026 --> 00:26:53,393 OIL MAN J.R. EWING WAS SHOT LAST NIGHT 356 00:26:53,462 --> 00:26:55,395 AS HE WORKED LATE IN HIS OFFICE. 357 00:26:55,464 --> 00:26:58,298 KGIM CAMERAS WERE THERE SHORTLY AFTER THE SHOOTING. 358 00:26:58,366 --> 00:26:59,966 WE HAVE THESE SCENES FOR YOU NOW 359 00:27:00,052 --> 00:27:02,953 AS MR. EWING WAS RUSHED FROM THE EWING BUILDING 360 00:27:03,022 --> 00:27:06,757 TO A WAITING AMBULANCE TO BE TAKEN TO DALLAS MEMORIAL HOSPITAL. 361 00:27:06,825 --> 00:27:08,491 THERE IS NO REPORT ON HIS CONDITION 362 00:27:08,561 --> 00:27:12,029 AND SO FAR, NO SUSPECTS HAVE BEEN TAKEN INTO CUSTODY. 363 00:27:12,097 --> 00:27:15,298 WE WILL CONTINUE TO UPDATE THIS STORY THROUGHOUT THE DAY. 364 00:27:15,367 --> 00:27:17,283 J.R. EWING WAS BORN IN DALLAS 365 00:27:17,352 --> 00:27:19,352 AND IS HEIR TO THE GREAT EWING FORTUNE, 366 00:27:19,421 --> 00:27:22,138 WHICH INCLUDES SOUTHFORK RANCH IN BRADDOCK 367 00:27:22,207 --> 00:27:24,240 AND THE VAST HOLDINGS OF EWING OIL. 368 00:28:19,231 --> 00:28:23,867 Man, on megaphone: EWING 4, EWING 4, PLEASE PULL OVER. 369 00:28:23,936 --> 00:28:25,636 STATE POLICE BUSINESS. 370 00:28:37,482 --> 00:28:40,534 NOW WHO'S TALKING ABOUT BREAKING THE LAND SPEED RECORD? 371 00:28:40,602 --> 00:28:42,962 I THINK IT'S THE BAD COMPANY I KEEP. 372 00:28:43,005 --> 00:28:44,816 I THOUGHT THEY JUST WROTE DOWN YOUR LICENSE? 373 00:28:44,840 --> 00:28:48,274 I THINK I'M GONNA GET A TICKET. 374 00:28:48,343 --> 00:28:49,510 WHAT'S GOING ON? 375 00:28:49,578 --> 00:28:51,022 WE'VE BEEN ASKED TO TAKE YOU BACK TO DALLAS. 376 00:28:51,046 --> 00:28:52,663 WHAT?! 377 00:28:52,731 --> 00:28:53,664 SORRY, SIR. 378 00:28:53,732 --> 00:28:55,899 YOUR FAMILY WANTS YOU HOME. 379 00:28:55,968 --> 00:28:57,812 MR. J.R. EWING'S BEEN SHOT. 380 00:28:57,836 --> 00:28:59,602 NO! 381 00:28:59,672 --> 00:29:01,171 OH, LORD. 382 00:29:01,239 --> 00:29:02,706 WELL, HOW BAD IS HE? 383 00:29:02,775 --> 00:29:03,785 WE DON'T KNOW, SIR. 384 00:29:03,809 --> 00:29:06,053 WHY DON'T YOU BOTH GET IN THE CHOPPER? 385 00:29:06,077 --> 00:29:08,256 WOULD YOU LIKE ME TO SEE YOUR CAR GET BACK TO DALLAS? 386 00:29:08,280 --> 00:29:11,281 YEAH, SURE. THANK YOU. COME ON, HONEY. 387 00:29:11,349 --> 00:29:12,349 COME ON. 388 00:29:14,920 --> 00:29:16,153 KEEP YOUR HEAD DOWN. 389 00:29:37,042 --> 00:29:39,336 I WANTED YOU TO KNOW WE MAY HAVE TO OPERATE. 390 00:29:39,360 --> 00:29:40,560 HIS PULSE RATE IS UP. 391 00:29:40,629 --> 00:29:41,839 I'VE ORDERED ANOTHER BLOOD COUNT. 392 00:29:41,863 --> 00:29:42,796 WE'RE CHECKING HIS... 393 00:29:42,864 --> 00:29:44,704 DR. PEARSON! EXCUSE ME. 394 00:29:52,074 --> 00:29:53,406 HIS BLOOD PRESSURE'S FALLING. 395 00:29:53,475 --> 00:29:54,407 THAT'S WHAT I WAS AFRAID OF. 396 00:29:54,476 --> 00:29:56,509 HE MUST BE BLEEDING AGAIN. 397 00:29:56,578 --> 00:29:58,056 IT'S MOST LIKELY THE SPLEEN. 398 00:29:58,080 --> 00:29:59,800 LET'S GET HIM INTO O.R. NOW. 399 00:30:01,917 --> 00:30:05,351 Woman, on P.A.: CODE BLUE. CODE BLUE. C.C.U. 400 00:30:05,420 --> 00:30:07,520 CODE BLUE. CODE BLUE, C.C.U. 401 00:30:27,459 --> 00:30:30,193 SUE ELLEN, WE WERE WORRIED ABOUT YOU. 402 00:30:30,262 --> 00:30:31,762 IS HE SERIOUSLY HURT? 403 00:30:31,830 --> 00:30:34,765 HE HAS 2 GUNSHOT WOUNDS. 404 00:30:34,833 --> 00:30:37,333 HE SEEMED TO BE DOING ALL RIGHT, AND THEN... 405 00:30:37,402 --> 00:30:40,837 WILL HE... WILL HE LIVE? 406 00:30:40,906 --> 00:30:44,007 DO YOU REALLY CARE, SUE ELLEN? 407 00:30:44,075 --> 00:30:45,008 JOCK! 408 00:30:45,076 --> 00:30:47,861 WHERE WERE YOU LAST NIGHT? 409 00:30:47,930 --> 00:30:49,262 IT DOESN'T MATTER NOW. 410 00:30:49,331 --> 00:30:51,981 IT DAMN WELL DOES MATTER. 411 00:30:52,050 --> 00:30:53,227 YOUR HUSBAND MAY BE DYING, 412 00:30:53,251 --> 00:30:55,229 AND YOU'RE OUT GALLIVANTING AROUND SOMEPLACE. 413 00:30:55,253 --> 00:30:57,220 I WASN'T GALLIVANTING. 414 00:30:57,289 --> 00:30:59,906 THEN WHERE WERE YOU? 415 00:30:59,975 --> 00:31:01,675 SUE ELLEN WAS SICK. 416 00:31:01,743 --> 00:31:03,326 SICK? 417 00:31:03,395 --> 00:31:04,560 YOU MEAN DRUNK. 418 00:31:04,629 --> 00:31:06,524 ISN'T THAT RIGHT, SUE ELLEN? 419 00:31:06,548 --> 00:31:09,049 YES. 420 00:31:09,117 --> 00:31:10,449 AFTER I LEFT DR. ELLBY'S OFFICE, 421 00:31:10,518 --> 00:31:14,554 I WENT ACROSS THE STREET FOR A DRINK. 422 00:31:14,622 --> 00:31:15,889 MY NERVES. 423 00:31:15,957 --> 00:31:17,457 AND THEN I DON'T REMEMBER ANYTHING 424 00:31:17,526 --> 00:31:19,092 UNTIL I WOKE UP AT THE AIRPORT. 425 00:31:19,161 --> 00:31:21,561 THE AIRPORT? 426 00:31:21,629 --> 00:31:23,329 J.R. WAS RIGHT. 427 00:31:23,398 --> 00:31:25,932 ELLBY HASN'T DONE YOU A BIT OF GOOD. 428 00:31:26,001 --> 00:31:27,945 YOU NEED TO BE BACK IN THAT SANITARIUM. 429 00:31:27,969 --> 00:31:30,037 JOCK, PLEASE. 430 00:31:30,105 --> 00:31:32,005 NOT NOW. 431 00:31:32,074 --> 00:31:33,373 EXCUSE ME. 432 00:31:33,442 --> 00:31:35,854 DR. PEARSON WILL BE OUT TO TALK TO YOU RIGHT AFTER SURGERY. 433 00:31:35,878 --> 00:31:36,918 THANK YOU. 434 00:31:42,851 --> 00:31:47,120 UNCLE JOCK, MISS ELLIE, CAN I GET YOU SOME COFFEE? 435 00:31:47,189 --> 00:31:49,429 I'LL GO WITH YOU. 436 00:31:52,061 --> 00:31:57,064 SUE ELLEN, YOU DON'T HAVE TO RUN AWAY FROM SOUTHFORK. 437 00:31:57,132 --> 00:31:59,413 WE'LL TRY AND WORK OUT SOMETHING TOGETHER. 438 00:32:05,423 --> 00:32:06,523 THANK YOU. 439 00:32:35,370 --> 00:32:38,338 SUE ELLEN, THE OPERATION'S GONNA TAKE A WHILE. 440 00:32:38,406 --> 00:32:41,141 WHY DON'T WE GO TO THE CAFETERIA AND GET SOMETHING TO EAT? 441 00:32:41,209 --> 00:32:43,209 YOU LOOK LIKE YOU COULD USE SOME FOOD. 442 00:32:43,278 --> 00:32:45,189 COFFEE'S JUST FINE, THANK YOU. 443 00:32:45,213 --> 00:32:46,346 MISS ELLIE. 444 00:32:46,414 --> 00:32:48,615 EVERYTHING'LL BE ALL RIGHT. YOU'LL SEE. 445 00:32:48,684 --> 00:32:50,517 HEY, RAY. JOCK. 446 00:32:50,585 --> 00:32:51,752 WHERE'D YOU FIND HER? 447 00:32:51,820 --> 00:32:53,732 KIND OF A LONG STORY. 448 00:32:53,756 --> 00:32:55,188 HOW'S J.R. DOING? 449 00:32:55,257 --> 00:32:57,557 WELL, HE'S IN SURGERY RIGHT NOW. 450 00:32:57,626 --> 00:32:59,070 IS IT VERY SERIOUS, GRANDMA? 451 00:32:59,094 --> 00:33:01,427 I'M AFRAID SO. 452 00:33:01,496 --> 00:33:06,800 RAY TOLD ME ABOUT BOBBY AND PAM LEAVING SOUTHFORK. 453 00:33:06,869 --> 00:33:09,302 SUE ELLEN, I AM SO SORRY. 454 00:33:09,371 --> 00:33:10,704 THANK YOU, LUCY. 455 00:33:10,773 --> 00:33:12,372 WHAT ARE YOU DOING HERE? 456 00:33:12,440 --> 00:33:15,809 I'M PART OF THE FAMILY, TOO, LUCY. 457 00:33:15,878 --> 00:33:19,212 MRS. EWING, THERE'S A TELEPHONE CALL FOR YOU AT THE DESK. 458 00:33:19,281 --> 00:33:20,413 FOR ME? 459 00:33:20,482 --> 00:33:21,414 WHO IS IT? 460 00:33:21,483 --> 00:33:22,549 I DON'T KNOW. 461 00:33:22,617 --> 00:33:24,095 DO YOU WANT ME TO GET IT, GRANDMA? 462 00:33:24,119 --> 00:33:26,199 NO, BUT COME WITH ME. 463 00:33:29,825 --> 00:33:32,325 HAVE YOU HEARD ANYTHING ABOUT BOBBY AND PAM? 464 00:33:32,394 --> 00:33:34,594 NO, SIR. NOTHING YET. 465 00:33:37,649 --> 00:33:39,348 IT'S RIGHT THERE. LINE 3. 466 00:33:39,417 --> 00:33:40,516 THANK YOU. 467 00:33:47,225 --> 00:33:48,558 HELLO? 468 00:33:48,627 --> 00:33:51,194 Gary: HELLO, MAMA? 469 00:33:51,262 --> 00:33:52,361 GARY. 470 00:33:52,430 --> 00:33:56,683 VALENE HEARD ON THE RADIO THAT J.R. HAD BEEN SHOT. 471 00:33:56,752 --> 00:33:59,019 YES, IT'S... IT'S TRUE. 472 00:33:59,088 --> 00:34:02,255 WELL, HOW BAD? 473 00:34:02,324 --> 00:34:08,895 WE, UH... WE DON'T KNOW. 474 00:34:08,964 --> 00:34:14,917 UH... MAMA? MAMA? 475 00:34:14,987 --> 00:34:17,720 MAMA, YOU STILL THERE? 476 00:34:17,789 --> 00:34:20,473 DADDY, GRANDMA AND GRANDDADDY 477 00:34:20,541 --> 00:34:22,353 HAVE BEEN UP ALL NIGHT WORRYING. 478 00:34:22,377 --> 00:34:24,344 SHE CAN'T TALK ANYMORE. 479 00:34:24,412 --> 00:34:25,678 WHERE'S BOBBY? 480 00:34:25,747 --> 00:34:27,358 BOBBY AND PAM LEFT SOUTHFORK. 481 00:34:27,382 --> 00:34:28,965 THEY LEFT? WHAT HAPPENED? 482 00:34:29,034 --> 00:34:31,534 I DON'T KNOW. 483 00:34:31,603 --> 00:34:32,814 DADDY, GRANDMA NEEDS YOU. 484 00:34:32,838 --> 00:34:34,921 SHE REALLY DOES. 485 00:34:34,990 --> 00:34:36,890 UM... ALL RIGHT. 486 00:34:36,958 --> 00:34:38,124 TELL HER I CAN GET A PLANE 487 00:34:38,193 --> 00:34:40,226 THAT'LL GET ME THERE ABOUT 6:00 TOMORROW MORNING. 488 00:34:40,295 --> 00:34:42,996 OH, GREAT. I'LL PICK YOU UP. 489 00:34:43,064 --> 00:34:45,564 LUCY, DO THEY KNOW WHO SHOT HIM? 490 00:34:45,633 --> 00:34:48,918 I DON'T THINK SO. 491 00:34:48,987 --> 00:34:51,487 DADDY, I'M SO SCARED. 492 00:34:51,556 --> 00:34:53,322 YEAH, I UNDERSTAND. 493 00:34:53,391 --> 00:34:54,840 I'LL SEE YOU IN THE MORNING, HON. 494 00:35:02,284 --> 00:35:03,483 VALENE, I HAVE NO CHOICE. 495 00:35:03,551 --> 00:35:05,401 I KNOW. I KNOW. 496 00:35:05,470 --> 00:35:06,814 DID LUCY SOUND OK? 497 00:35:06,838 --> 00:35:08,154 YEAH. 498 00:35:08,223 --> 00:35:11,491 GARY, THIS IS GONNA BE YOUR FIRST... 499 00:35:11,559 --> 00:35:17,180 REAL CRISIS SINCE... SINCE MY BIG DRUNK? 500 00:35:17,249 --> 00:35:19,432 YEAH. 501 00:35:19,500 --> 00:35:23,303 YEAH, LOOK, I CAN'T GO THROUGH LIFE 502 00:35:23,371 --> 00:35:25,905 WITHOUT HAVING TO FACE A CRISIS. 503 00:35:25,974 --> 00:35:27,206 MAMA SOUNDED TERRIBLE. 504 00:35:27,275 --> 00:35:30,160 BOBBY AND PAM ARE GONE. THEY LEFT THE RANCH. 505 00:35:30,228 --> 00:35:31,939 J.R. FINALLY DROVE THEM OFF, TOO? 506 00:35:31,963 --> 00:35:32,995 WE DON'T KNOW THAT. 507 00:35:33,065 --> 00:35:35,165 OH, COME ON, GARY. 508 00:35:35,233 --> 00:35:38,568 YOU KNOW THAT BOBBY WOULDN'T LEAVE FOR ANY OTHER REASON. 509 00:35:38,636 --> 00:35:40,381 SICK OR WELL, J.R.'s NOTHING BUT A TROUBLE-MAKER. 510 00:35:40,405 --> 00:35:41,405 VAL... 511 00:35:41,439 --> 00:35:43,200 LOOK, DARLIN', I KNOW HOW THAT SOUNDS, 512 00:35:43,224 --> 00:35:45,191 BUT THAT'S JUST HOW I FEEL. 513 00:35:45,260 --> 00:35:47,160 IF J.R. WAS DEAD, 514 00:35:47,228 --> 00:35:49,395 I HONESTLY COULD NOT MOURN HIM. 515 00:35:53,985 --> 00:35:57,003 IT'S MY FAMILY. 516 00:35:57,072 --> 00:35:58,352 THEY'RE IN TROUBLE. THEY NEED ME. 517 00:36:01,309 --> 00:36:02,775 I KNOW. 518 00:36:06,381 --> 00:36:07,880 JUST HOLD ME. 519 00:36:14,256 --> 00:36:17,907 Dr. Pearson: THE SPLENIC ARTERY HAS BEEN CLAMPED. 520 00:36:17,976 --> 00:36:19,926 NOW, THE SPLENIC VEIN. 521 00:36:24,233 --> 00:36:25,665 HOW'S HE DOING? 522 00:36:25,734 --> 00:36:27,712 Anesthesiologist: ROCKY, BUT GOOD. 523 00:36:27,736 --> 00:36:30,470 OK, WATCH THE TAIL OF THE PANCREAS. 524 00:36:30,538 --> 00:36:33,373 YOU'VE GOT THE SHORT GASTRIC VESSELS. 525 00:36:33,441 --> 00:36:34,774 OK, LET'S TAKE IT OUT. 526 00:36:34,843 --> 00:36:37,043 TONY, CAN YOU GET THE BULLET? 527 00:36:37,112 --> 00:36:39,812 YES. 528 00:36:39,882 --> 00:36:42,515 GOT IT! 529 00:36:42,584 --> 00:36:45,018 YOU JUST MADE THE POLICE FORCE VERY HAPPY. 530 00:37:12,030 --> 00:37:14,230 MR. EWING, I HATE TO KEEP PRESSING YOU, 531 00:37:14,299 --> 00:37:17,600 BUT I NEED SOME NAMES, SUSPECTS. 532 00:37:17,669 --> 00:37:19,647 YOU MEAN TO TELL ME THAT YOU DON'T HAVE ANY CLUES? 533 00:37:19,671 --> 00:37:20,703 ANY LEADS? 534 00:37:20,772 --> 00:37:22,806 WELL, SO FAR THERE'S NO SIGN OF ROBBERY, 535 00:37:22,874 --> 00:37:25,074 BUT WE CAN'T RULE THAT OUT, EITHER. 536 00:37:25,143 --> 00:37:26,676 SOME OF THOSE MAPS YOU OILMEN USE 537 00:37:26,744 --> 00:37:28,544 ARE WORTH MILLIONS TO A COMPETITOR. 538 00:37:28,613 --> 00:37:30,880 NOW, I NEED SOMEONE WHO KNOWS THOSE THINGS, 539 00:37:30,949 --> 00:37:32,748 WHO CAN GO THROUGH YOUR FILES. 540 00:37:32,818 --> 00:37:34,128 WELL, I'M SORRY, ROSS, 541 00:37:34,152 --> 00:37:36,764 BUT I CAN'T LEAVE TILL I KNOW MY BOY IS A LOT BETTER. 542 00:37:36,788 --> 00:37:37,788 DADDY. 543 00:37:37,823 --> 00:37:38,922 HEY, BOBBY. 544 00:37:40,758 --> 00:37:42,758 OH, MISS ELLIE. 545 00:37:42,827 --> 00:37:43,759 ANY WORD YET? 546 00:37:43,829 --> 00:37:46,462 NO, HE'S STILL IN SURGERY. 547 00:37:46,531 --> 00:37:48,825 PAM, I'M SO GLAD YOU'RE BACK. 548 00:37:48,849 --> 00:37:49,849 THANKS, BABY. 549 00:37:49,884 --> 00:37:50,816 Jock: THANKS FOR COMING. 550 00:37:50,885 --> 00:37:52,152 HOW'D IT HAPPEN? 551 00:37:52,220 --> 00:37:53,497 WELL, J.R. WAS WORKIN' LATE, 552 00:37:53,521 --> 00:37:55,800 AND SOMEBODY PUT A COUPLE SLUGS IN HIM. 553 00:37:55,824 --> 00:37:57,390 WELL, IS HE ALL RIGHT? 554 00:37:57,459 --> 00:37:58,669 NOT DOING TOO GOOD. 555 00:38:00,329 --> 00:38:02,873 UH, THIS IS DETECTIVE ROSS, BOBBY. 556 00:38:02,897 --> 00:38:04,242 I'M WORKING ON YOUR BROTHER'S SHOOTING. 557 00:38:04,266 --> 00:38:05,598 HOW CAN I HELP? 558 00:38:05,667 --> 00:38:06,799 I NEED A LIST OF NAMES, 559 00:38:06,868 --> 00:38:09,002 SOMEONE WHO MIGHT WANT TO SHOOT HIM. 560 00:38:09,071 --> 00:38:10,814 J.R. HAD A LOT OF ENEMIES. 561 00:38:10,838 --> 00:38:12,271 WELL, LET ME START IT FOR YOU. 562 00:38:12,340 --> 00:38:15,508 UH, THE GUY THAT COMMITTED SUICIDE, SETH STONE? 563 00:38:15,577 --> 00:38:17,543 HIS WIDOW HAS TO BE ON THE LIST. 564 00:38:17,612 --> 00:38:18,711 SURE. 565 00:38:18,779 --> 00:38:21,459 VAUGHN LELAND WAS PRETTY MAD AT HIM, TOO. 566 00:38:21,483 --> 00:38:22,593 THE BANKER? YEAH. 567 00:38:22,617 --> 00:38:24,617 HE DROPPED OUT OF SIGHT. 568 00:38:24,685 --> 00:38:27,653 HE ALSO GOT ALAN BEAN FIRED. 569 00:38:27,722 --> 00:38:30,534 YOU CAN GET HIS ADDRESS FROM SMITHFIELD and BENNETT LAW FIRM. 570 00:38:30,558 --> 00:38:34,293 WELL, I GUESS RIGHT AT THE TOP OF THE LIST 571 00:38:34,362 --> 00:38:38,298 WOULD BE THE MAN WHO HATES US EWINGS THE MOST: 572 00:38:38,367 --> 00:38:39,527 CLIFF BARNES. 573 00:38:57,902 --> 00:39:01,738 Bobby: PAM! 574 00:39:01,806 --> 00:39:03,172 PAM, WHERE YOU GOING? 575 00:39:03,241 --> 00:39:04,585 LET'S TALK ABOUT IT LATER. 576 00:39:04,609 --> 00:39:05,541 HONEY, WHAT'S THE MATTER? 577 00:39:05,610 --> 00:39:07,388 DIDN'T YOU HEAR YOUR FATHER? 578 00:39:07,412 --> 00:39:09,578 PAM, CLIFF WOULD HAVE BEEN A SUSPECT 579 00:39:09,647 --> 00:39:11,381 EVEN IF DADDY HADN'T SAID ANYTHING. 580 00:39:11,449 --> 00:39:14,334 MY BROTHER IS INCAPABLE OF PHYSICAL VIOLENCE. 581 00:39:14,403 --> 00:39:16,236 HE HAD A MOTIVE. 582 00:39:16,304 --> 00:39:18,154 J.R. SHUT DOWN EWING 23. 583 00:39:18,223 --> 00:39:20,656 THAT COST CLIFF A HALF A MILLION DOLLARS A YEAR 584 00:39:20,725 --> 00:39:21,791 AND A WHOLE LOT OF PRIDE. 585 00:39:21,859 --> 00:39:24,961 CLIFF COULDN'T SHOOT ANYONE, INCLUDING J.R. 586 00:39:25,030 --> 00:39:27,563 PAM... I'M GONNA TALK TO CLIFF, 587 00:39:27,632 --> 00:39:30,233 AND I'M GONNA HEAR HIS SIDE OF THE STORY, OK? 588 00:39:47,018 --> 00:39:48,651 HOW IS HE, DOCTOR? 589 00:39:48,719 --> 00:39:50,519 HE SEEMED TO HANDLE THE SURGERY WELL. 590 00:39:50,588 --> 00:39:53,156 HE'LL BE IN THE RECOVERY ROOM FOR SEVERAL HOURS. 591 00:39:53,224 --> 00:39:55,269 IS HE GOING TO BE ALL RIGHT? 592 00:39:55,293 --> 00:39:56,225 THAT'S A LITTLE HARD TO SAY RIGHT NOW. 593 00:39:56,294 --> 00:39:58,894 HE'S HAD A PRETTY ROUGH TIME. 594 00:39:58,963 --> 00:40:01,163 WE REMOVED ONE BULLET. 595 00:40:01,232 --> 00:40:03,392 IT, UH, BRUISED A KIDNEY AND NICKED THE SPLEEN, 596 00:40:03,435 --> 00:40:05,045 CAUSING A LOT OF INTERNAL BLEEDING. 597 00:40:05,069 --> 00:40:06,586 WE REMOVED THE SPLEEN, 598 00:40:06,654 --> 00:40:08,199 BUT THAT'S NOTHING TO WORRY ABOUT. 599 00:40:08,223 --> 00:40:10,268 HE CAN LEAD A PERFECTLY NORMAL LIFE WITHOUT IT. 600 00:40:10,292 --> 00:40:11,953 WHAT ABOUT THE OTHER BULLET? 601 00:40:11,977 --> 00:40:14,978 OUR FIRST CONCERN WAS SAVING HIS LIFE. 602 00:40:15,046 --> 00:40:17,497 YOU MUST UNDERSTAND THAT. 603 00:40:17,566 --> 00:40:20,161 THE SECOND BULLET APPEARS TO BE LODGED IN THE SPINAL CANAL. 604 00:40:20,185 --> 00:40:25,304 TO REMOVE IT IS VERY, VERY DELICATE SURGERY... 605 00:40:25,373 --> 00:40:29,825 AND WE'RE NOT SURE YET HOW MUCH DAMAGE THAT BULLET HAS DONE. 606 00:40:29,894 --> 00:40:31,377 WHEN WILL YOU KNOW? 607 00:40:33,848 --> 00:40:36,215 MRS. EWING... 608 00:40:36,284 --> 00:40:38,651 YOU'VE BEEN UP ALL NIGHT. I SUGGEST SOME REST. 609 00:40:38,720 --> 00:40:41,754 YOU WON'T BE ABLE TO TALK TO J.R. UNTIL THIS EVENING. 610 00:40:41,822 --> 00:40:44,690 THANK YOU, DOCTOR. 611 00:40:44,759 --> 00:40:46,354 DADDY, WHY DON'T YOU TAKE MAMA BACK TO THE RANCH? 612 00:40:46,378 --> 00:40:49,178 YOU BOTH LOOK DEAD TIRED. 613 00:40:49,247 --> 00:40:50,179 BOBBY'S RIGHT, ELLIE. 614 00:40:50,248 --> 00:40:52,047 LET'S GO. 615 00:40:52,116 --> 00:40:53,483 NO. 616 00:40:53,551 --> 00:40:57,052 I DON'T WANT TO BE THAT FAR FROM J.R. 617 00:40:57,121 --> 00:40:59,481 WE CAN CHECK INTO THE FAIRVIEW HOTEL 618 00:40:59,524 --> 00:41:00,456 FOR A COUPLE OF HOURS. 619 00:41:00,525 --> 00:41:04,560 HOSPITAL CAN CONTACT US THERE. 620 00:41:04,629 --> 00:41:06,829 ALL RIGHT. 621 00:41:06,898 --> 00:41:09,532 SUE ELLEN? 622 00:41:09,601 --> 00:41:11,701 I'M GOING TO STAY HERE FOR A WHILE. 623 00:41:11,770 --> 00:41:13,547 DON'T WORRY, I'LL STAY WITH SUE ELLEN TONIGHT. 624 00:41:13,571 --> 00:41:15,855 OK. LET'S GO, ELLIE. 625 00:41:20,094 --> 00:41:22,706 OH, UH, RAY, MAYBE YOU'D BETTER GET BACK TO THE RANCH. 626 00:41:22,730 --> 00:41:23,663 YES, SIR. 627 00:41:23,731 --> 00:41:25,265 KEEP IT RUNNING FOR ME. 628 00:41:25,333 --> 00:41:27,811 I'VE GOT SOME THINGS I'VE GOT TO DO, TOO. 629 00:41:27,835 --> 00:41:29,702 BYE, SUE ELLEN. 630 00:41:29,771 --> 00:41:31,037 GOOD NIGHT. 631 00:41:31,105 --> 00:41:32,272 MR. EWING? 632 00:41:32,340 --> 00:41:34,718 UH, DETECTIVE HORTON IS AT THE EWING OFFICES. 633 00:41:34,742 --> 00:41:36,387 HE NEEDS TO MEET WITH YOU TO GO OVER THE FILES, 634 00:41:36,411 --> 00:41:37,343 SEE IF ANYTHING'S MISSING. 635 00:41:37,412 --> 00:41:39,212 YEAH. SURE. COME ON. 636 00:41:39,281 --> 00:41:42,915 Woman, on P.A.: DR. RICHARD STEVENS, PLEASE COME TO ROOM 5 STAT. 637 00:42:12,880 --> 00:42:14,480 JOCK, LET'S WALK. 638 00:42:14,549 --> 00:42:15,864 IT'S ONLY A COUPLE OF BLOCKS. 639 00:42:15,933 --> 00:42:17,478 ARE YOU SURE THAT YOU FEEL UP TO IT? 640 00:42:17,502 --> 00:42:20,636 YES. I FEEL LIKE AN OVERWOUND WATCH. 641 00:42:20,705 --> 00:42:22,938 WELL, IT'S SURE BEEN A LOUSY NIGHT. 642 00:42:25,510 --> 00:42:28,277 JOCK, NOW THAT BOBBY'S BACK, YOU... 643 00:42:28,346 --> 00:42:31,046 YOU'VE GOT TO FIND A WAY TO KEEP HIM HERE. 644 00:42:31,116 --> 00:42:32,848 I DON'T KNOW HOW. 645 00:42:32,917 --> 00:42:35,384 HE WAS MAD AS HELL AT ME WHEN HE LEFT. 646 00:42:35,453 --> 00:42:38,721 WELL, THAT WAS BECAUSE HE FELT THAT YOU HAD GIVEN HIM A JOB TO DO, AND THEN YOU... 647 00:42:38,789 --> 00:42:41,056 YOU DIDN'T STAND BEHIND HIM. 648 00:42:41,126 --> 00:42:42,525 I COULDN'T. 649 00:42:42,594 --> 00:42:45,128 WHEN HE OPENED EWING 23, 650 00:42:45,196 --> 00:42:48,564 HE MADE CLIFF BARNES A PARTNER IN THE PROFITS. 651 00:42:48,633 --> 00:42:53,136 AFTER WHAT THAT MAN'S DONE TO US... NO WAY. 652 00:42:53,204 --> 00:42:56,606 DOES EWING OIL HAVE TO COST US ANOTHER SON? 653 00:42:56,674 --> 00:42:59,808 JOCK, I KNOW HOW IMPORTANT THE COMPANY IS TO YOU, BUT I... 654 00:42:59,877 --> 00:43:02,411 I'VE LOST GARY, AND NOW... 655 00:43:02,480 --> 00:43:06,766 UNLESS YOU STOP HIM, BOBBY WILL LEAVE AGAIN. 656 00:43:06,834 --> 00:43:08,812 EWING OIL HAS BEEN MY LIFE, ELLIE. 657 00:43:08,836 --> 00:43:12,605 AND J.R. MAY BE DYING BECAUSE OF IT. 658 00:43:12,673 --> 00:43:15,941 I DON'T THINK THE COMPANY IS WORTH MY FAMILY. 659 00:43:16,010 --> 00:43:18,844 I WANT BOBBY HOME... 660 00:43:18,913 --> 00:43:21,230 NO MATTER WHAT IT COSTS EWING OIL. 661 00:43:43,288 --> 00:43:46,489 WELL, NO "HELLO, SIS. HAVE A SEAT, HAVE A DRINK"? 662 00:43:46,558 --> 00:43:47,956 HOW'D YOU FIND ME? 663 00:43:48,025 --> 00:43:51,060 YOUR SECRETARY TOLD ME YOU'D BE HERE. 664 00:43:51,128 --> 00:43:55,364 WHAT ARE YOU DOING OUT HERE DRINKING IN THE MIDDLE OF THE AFTERNOON? 665 00:43:55,433 --> 00:43:56,433 NOTHING FOR ME, THANKS. 666 00:43:56,467 --> 00:43:59,735 I'LL HAVE ANOTHER, PLEASE. 667 00:43:59,804 --> 00:44:02,021 WELL? 668 00:44:02,089 --> 00:44:03,022 WHAT? 669 00:44:03,090 --> 00:44:05,140 WHY AREN'T YOU AT WORK? 670 00:44:05,210 --> 00:44:08,678 PAM, I DON'T HAVE TO ACCOUNT TO YOU FOR MY TIME. 671 00:44:08,746 --> 00:44:11,814 OK. 672 00:44:11,882 --> 00:44:14,183 CLIFF, DOES THIS HAVE ANYTHING TO DO WITH J.R.? 673 00:44:14,252 --> 00:44:19,222 OH... YOU KNOW WHAT? 674 00:44:19,290 --> 00:44:22,169 IT SEEMS LIKE EVERYTHING IN MY LIFE, ONE WAY OR ANOTHER, 675 00:44:22,193 --> 00:44:24,059 HAS SOMETHING TO DO WITH J.R. 676 00:44:28,165 --> 00:44:30,065 NO, I WANT THAT. 677 00:44:30,134 --> 00:44:32,901 YOU BEEN TO THE HOSPITAL YET? 678 00:44:32,970 --> 00:44:38,006 J.R. WAS STILL IN SURGERY WHEN I LEFT. 679 00:44:38,075 --> 00:44:39,709 YOU KNOW, BOBBY AND I LEFT SOUTHFORK. 680 00:44:39,777 --> 00:44:41,744 WE WERE ON OUR WAY TO CALIFORNIA. 681 00:44:41,812 --> 00:44:42,862 YOU LEFT. 682 00:44:42,930 --> 00:44:44,375 WHAT, YOU WERE GOING ON A VACATION? 683 00:44:44,399 --> 00:44:46,999 NO. WE LEFT SOUTHFORK. 684 00:44:47,067 --> 00:44:50,168 BOBBY COULDN'T STAND J.R.'s UNDERHANDED DEALS ANYMORE. 685 00:44:50,237 --> 00:44:52,938 HIS CLOSING DOWN EWING FIELD 23 WAS THE LAST STRAW. 686 00:44:53,007 --> 00:44:54,167 HE DIDN'T WANT ANYTHING TO DO 687 00:44:54,208 --> 00:44:56,088 WITH DOING YOU OUT OF YOUR SHARE OF THE PROFITS. 688 00:44:56,127 --> 00:44:59,962 WELL, THAT'S NICE, BUT IT'S PRETTY ACADEMIC NOW. 689 00:45:00,031 --> 00:45:01,308 THE FIELD IS CLOSED. 690 00:45:01,332 --> 00:45:02,898 THERE ARE NO PROFITS. 691 00:45:07,005 --> 00:45:10,372 CLIFF... THE REASON I CAME TO SEE YOU 692 00:45:10,441 --> 00:45:11,674 IS BECAUSE JOCK HAS NAMED YOU 693 00:45:11,743 --> 00:45:14,076 AS A PRIME SUSPECT IN J.R.'s SHOOTING. 694 00:45:19,717 --> 00:45:22,685 I SAID TO MY BOSS... THE D.A... 695 00:45:22,754 --> 00:45:26,022 I'M PROBABLY A PRIME SUSPECT IN THIS CASE. 696 00:45:26,090 --> 00:45:28,057 I CERTAINLY HAD ENOUGH MOTIVE, 697 00:45:28,126 --> 00:45:31,794 AND IF ANYBODY DESERVES SHOOTING, IT'S J.R. 698 00:45:34,982 --> 00:45:37,149 BUT YOU TELL ME. 699 00:45:37,217 --> 00:45:39,601 YOU'RE CLOSER TO ME THAN ANYBODY ELSE. 700 00:45:39,671 --> 00:45:42,204 DO YOU THINK YOUR BROTHER'S A KILLER? 701 00:46:43,300 --> 00:46:45,667 HOW IS HE, MA? 702 00:46:45,737 --> 00:46:48,137 HE'S VERY WEAK. 703 00:46:48,206 --> 00:46:50,526 THE DOCTOR SAID JUST A FEW MINUTES. 704 00:46:52,076 --> 00:46:54,359 WHERE'S DADDY? 705 00:46:54,428 --> 00:46:57,562 HE WAS EXHAUSTED. I LET HIM SLEEP. 706 00:46:59,734 --> 00:47:02,251 J.R... WE'RE HERE. 707 00:47:05,857 --> 00:47:06,857 MAMA? 708 00:47:10,277 --> 00:47:13,912 MR. EWING, WE GOTTA KNOW SOMETHING. 709 00:47:13,981 --> 00:47:14,981 CAN YOU UNDERSTAND ME? 710 00:47:18,753 --> 00:47:20,753 DID YOU SEE WHO SHOT YOU? 711 00:47:22,422 --> 00:47:26,091 HORTON, I THINK THIS CAN WAIT. 712 00:47:26,160 --> 00:47:27,459 WHO SHOT YOU, MR. EWING? 713 00:47:57,675 --> 00:47:58,915 Announcer: TO BE CONTINUED. 714 00:48:05,299 --> 00:48:08,233 CAPTIONING MADE POSSIBLE BY WARNER HOME VIDEO 715 00:48:08,302 --> 00:48:11,422 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE... www.ncicap.org...